Thabo Radebe

Reclaiming the Narrative: Brian Otieno (Otis) and the Art of Seeing Africa Differently (Kenya)

In a world where African stories are too often framed through deficit and distortion, Brian Otieno—also known as Otis—stands firmly as a creator determined to shift the lens. A multidisciplinary artist, curator, and thought provoker from Nairobi, Otieno’s work exists at the intersection of art, community, and social consciousness. Through photography, film, design, and installation,

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Building Africa’s Creative Economy from the Inside Out: The Global Creative Summit Story

For decades, African creatives have been celebrated for their talent, culture, and originality — yet rarely positioned as economic contributors within global value chains. The Global Creative Summit (GCS) was born to challenge that reality. Founded by Sina Kwepile, the Summit is not just an event, but a pan-African platform intentionally designed to reposition Africa’s

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DSAC Opens Youth Employment Opportunities for Graduates in Sport, Arts, Culture and Creative Industries

In a significant move to address youth unemployment and strengthen South Africa’s creative and cultural economy, the Department of Sport, Arts and Culture (DSAC) has officially opened a call for applications for youth employment opportunities through its e-recruitment talent database. Aligned with the National Development Plan (NDP) Vision 2030, this initiative aims to identify and

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Rooted in the Blanket Nation: Tsepang Pitso on Culture, Activism and the Power of Community Storytelling

In Maokeng, Kroonstad, where stories travel from one household to the next and language binds people tighter than borders ever could, Tsepang Pitso’s journey was quietly being shaped. Raised as a Sotho woman in a community where collective memory mattered, she learned early that identity is not an individual possession—it is shared, protected and passed

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From the Soil of South Africa to the Stages of Cannes: Nokuthula Fundama Carries Ubuntu to the World

When Nokuthula Fundama steps onto an international stage, she does not arrive alone. She carries language, rhythm, memory, and the spiritual weight of South African heritage. In October, that presence was felt far beyond home soil as the Nokuthula Fundama Band performed at the Espace Miramar Theatre in Cannes and the iconic Martinez Hotel in

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Pula Nala: Let Me Cook – A Kasi Story of Rhythm, Responsibility and Vision

Born Pule Molakeng at Natalspruit Hospital, Pula Nala’s story is deeply rooted in community spaces that quietly shape futures. His creative journey began at Emabhodweni — the Katlehong Customer Care Centre that houses a library, youth-friendly clinic and LoveLife Youth Centre. Long before stages and microphones, Pula was volunteering his time, eventually being entrusted to

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The Discipline of Becoming — A Storyteller Shaped by Lived Experience: Zimi Mphefu

Zimi Mphefu’s artistry is not accidental — it is intentional, layered, and deeply rooted in lived experience. Born and raised in Tshwane and later trained at the University of Cape Town, Mphefu’s journey as an interdisciplinary theatre-maker and performer is one shaped by identity, resilience, and an unwavering commitment to truth. Growing up as a

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A New Era for South Africa’s Performers

South Africa’s creative industry may be on the brink of a transformative shift. On 23 January 2026, the Government Gazette (No. 53987) revealed a landmark proposal by Minister of Employment and Labour, Nomakhosazana Meth, signaling the government’s intention to recognize performers in advertising, artistic, and cultural sectors as employees under the Basic Conditions of Employment

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