Billy, a prominent figure in the South African arts scene, recently shared his harrowing experience with SAMPRA (South African Music Performance Rights Association), shedding light on the complexities and frustrations artists face when dealing with funding organizations. In a candid video, Billy recounted his journey with SAMPRA, detailing the promises made, the hurdles faced, and the ultimate disappointment encountered in his quest for financial support. His narrative serves as a cautionary tale for fellow artists navigating the intricacies of funding applications and contractual agreements.
Billy’s ordeal began when SAMPRA approved his funding application for an event, albeit with a significant reduction from the requested amount. Despite the initial approval of R200,000, Billy was left reeling when SAMPRA reneged on their commitment, offering a mere fraction of the promised sum.
Adding salt to the wound, Billy found himself entangled in a bureaucratic maze when SAMPRA demanded invoices and proof of payment totalling the original requested amount, a staggering R615,000. This discrepancy between approval and disbursement left Billy grappling with mounting debts and disgruntled suppliers.
As Billy navigated the murky waters of SAMPRA’s funding process, he encountered resistance and indifference from key officials, including CEO Pfanani Lishivha and administrator Tiyani Maluleke. Their dismissive attitude and refusal to honour their organization’s commitments compounded Billy’s frustration and financial strain. Furthermore, Billy’s dismay was compounded by the lack of support from fellow artists on the SAMPRA board, including Ernie Smith, DJ Ganyani, and Brenda Mtambo. Despite their presence in positions of influence, their silence and inaction left Billy feeling abandoned and betrayed. In a bold move to seek redress, Billy escalated the matter, demanding transparency and accountability from SAMPRA’s leadership. His efforts to hold them accountable for their promises and obligations underscore the urgent need for reform within the organization. In a recent interview on SA FM, Billy, a prominent figure in the music industry, made some striking remarks regarding his ongoing conflict with SAMPRA (Southern African Music Rights Organization). He clarified that his dispute was not with the institution itself, but rather with certain individuals within it who he believed were failing to fulfil their duties of serving artists. The tension escalated during the interview when Billy engaged in a heated argument with the CEO of SAMPRA on air. The CEO stated that there was little further action he could take, suggesting that the organization was at an impasse with Billy. Furthermore, he indicated that SAMPRA was closing its doors to Billy and allegedly suggesting that he must never apply for funding at SAMPRA again.
However, the situation took a surprising turn as more individuals within the music industry began to come forward with similar grievances against SAMPRA. Allegations surfaced suggesting that the organization owed money to numerous artists. This new development hinted at broader systemic issues within SAMPRA, raising questions about its effectiveness and transparency in serving the interests of artists. As the story unfolds, it becomes evident that Billy’s conflict with SAMPRA is not an isolated incident but rather part of a larger pattern of dissatisfaction within the music community. The revelations of unpaid royalties and bureaucratic hurdles highlight the need for greater accountability and reform within organizations tasked with safeguarding artists’ rights and interests.
Stay tuned for further updates on this evolving story.
Photo by Simphiwe Mhlambi


Hi I want to find out if Sampra funds Peagents
SAMPRA is a collective management organization (CMO) that administers Needle-time Rights on behalf of recording artists and record labels. please check their website so you can get more information.
Hi does Sampra collect royalty for live performance inside and outside of the country